Griselda Pollock's Opinion on Art History

Griselda Pollock's article "Artist Myths and Media Genius, Crazy and Art History" (1980) is a 40-page article Pollock (1980) advocates and explains her main question about art history. "See (Pollock, 1980, p. 57). She emphasized the necessity to change the practice of art history and used Van Gogh as a representative example of her work.Her paper was written behind art works It is to prove that in a sense it should not be limited to the artist who created the artist but the artist may influence the economic, economic and social conditions of the subject to be used to some extent It is to recognize that.

Linda Nocrin and Gricelda Pollock are famous art historians from the feminist view of Pollock and French spirit since the 1970s. Collaboration, especially collaboration with Christieva and Edinger's theory, provides new insights into art history and contemporary art, focusing specifically on trauma and intergenerational memory in female artists' work. Other remarkable feminist art histories are Norma Blue and Mary Gallard, Amelia Jones, Carol Duncan, Lindaniad, Lisa Tickener, Tim Mulaga, Hilary Robinson, Henry Robinson, Smith and others. Katie Deep Well

The legacy of psychoanalysis in art history is deep, extending Freud and Jung. For example, famous feminist art historian Grigelda Pollock borrowed psychoanalysis while reading modern art while rethinking modernism art. Grigelda · Pollock read French feminist psychoanalysis, especially Julia · Kristeva and Brač L. Ettinger's work, Rosalind Krauss read Jacques Racan and Jean-François Lyotard, Catherine de Seger reworks the art Feminist Theory Writing French feminism and psychoanalysis in these areas provides a strong message to change the position of male and female artists in art history.

Feminist Art History - Literary Review This article is aimed at exploring works of famous feminist art historians such as Linda Knocklin, Norma Bourdais, Grigelda Pollock, Logica. Since the 19th century, literature has focused on women and art history Parker. From the century to the 20th century. Browder stated that students in the art history of female artists believe that they have to rewrite art (Broude & Garrard 1982, 183). But Browder and Garad are challenging this hypothesis by asking how women's feminist art history students rewrite art and reworking the art history and asking why they led to this concept and its intention I will.

People like Griselda Pollock and Rozsika Parker have created the first diversification and comprehensive analysis of art history by applying feminist theory. Analysis of Pollock's feminist perspective extended the work of feminist scholar Linda Knocklin in the 1970s and continues to influence later feminist art historians such as Norma Bullder and Mary Galla. De and Linda Ned. Pollock still criticized all those who did not consider art women, those early scholars such as Panofsky, Clark and Gombrich. What she is most interested in is her work dedicated to the expression of femininity in art, how it is recognized, and the embodying of women's movements to art research. Like many gender scholars, she is writing about how gender is reflected in the social environment and how these gender expressions are presented or continued in art.