Gothic Literature and Romantic Literature

Since each of them provides readers with new ideas to consider, novels written in different styles preserve their value. But sometimes the author does not extend the new "idea of ​​suggestion", but borrows other novels to express his own characteristics. These borrowed functions are then shaped into new shapes. The author of a romantic era did it exactly. They borrowed the character of Gothic literature to express their thoughts. These novels are unique and valued from their uniqueness, but the functions borrowed are still parallel between the two types.

Since people generally believe that Gothic literature comes from romantic literature, these two types have overlapping features. Many Gothic novels suffer from passionate romance and often invoke sorrow and tragedy. Charles Dickens's work focuses on a romantic love story, but there are also terrible villains and Gothic environments. In the Victorian era, even as Gothic novels opened the way to explorative sex, as Edgar Allan Poe's 1849 poem "Annabel Lee" saw. Gothic works usually include women at the expense of villains. Many people are depicted as virgins of early Gothic works while feeling sorrow, repression, loneliness. The role of a girl is often confined in a castle that is intimidated by aristocracy and becomes helpless. This meditative woman is attracting the reader's tragic emotions, especially in the role of Horat Walpole's role Matilda.

Gothic literature evolved during the British Romantic era, the first mention of "Gothic" related to literature is in the subtitle of the British Library of Otranto Castle in 1765, the story of Horace · Walpole "Gothic story". The author said that this is a subtle joke. "When he uses that word it means" savage "and" derived from medieval ". In the book, the story is said to be the old story that was discovered very recently. But that is only a part of the story

In the context of American literature, Gothic is still under the shadow of the "religious" genre of the American Renaissance. Romantic literature such as Gothic literature is promoted by Nathaniel Hawthorne and depends on an unforgettable mysterious story that blurs the boundary between reality and fancy. Po's Gothic embraced his realistic violence and anxiety scenes, and the final conservative and traditional solution of a romantic novel like Hawthorn's "The Seven of the Gables" (1851) I will put him outside.