The golden age of Greek criticism of Henry Moore's reclining woman meditated on the shape of women's sculpture and the body completely destroyed our standards as a golden age of Greeks. I do not even know who the sculptor represents. Of course, I can understand the basic female image. However, the head is too small in proportion to the rest of the body. Henry Moore may not have completed this work yet. Whether he mistook the development of his breasts. This may be the case. Still, if "art" is complete, the Greeks hope to think that this is art.
Henry Moore created two piece Reclining Figure 3 in 1961. A British photographer named Bill Brandt announced a nudity model album Perspective Nudes (5). I believe this has influenced Henry Moore and his work on this sculpture. Looking at the two reclining figures, you can see it almost as if you are composing, interacting and playing naked human beings. This creates a bright tension and movement between the two characters. Compared to his earlier works like the 1953 Drape Reclining figure (see Figure 1), he uses the line and shape blurring more strongly, so Henry Moore's two reclining changes are all more It seems abstract. In the drape reclining figure, the lady reclining on the elbow is clearly visible. Two-piece reclining In Figure 3, Henry Moore stops and observes the observer and forces them to think about what they are seeing.
For nearly 60 years, Henry Moore has explored the change of the theme of character reclining. As mentioned above, he was originally inspired by ancient materials; Henry Moore used this subject to analogize man and other forms, especially rocks and mountain landscapes, in nature. As the audience has observed it, this classic and obviously unnatural sculpture changes in a complex way. The shape is ambiguous, the space opens, and the forms overlap each other, resulting in a completely different form. Two-piece Reclining I think that Figure 3 attracts Moore's attention to a smooth semi-abstract format.