God’s Transition to a Feared, Cruel Deity in Modernist Literature and Poetry

Previous literary genres such as Renaissance writers and romanticism portrayed God as a very powerful but merciful God and made sure that the conclusion of most events ended in a positive way. After the First World War, the devastating sacrifice of life, the soul and wealth, many writers and poets changed their view of God. God is not a loving, omnipotent power, but a cruel and supernatural existence When a human suffers, it chooses not to intervene. Many modernists believe that if God can not stop a disaster like World War I, he will passively look at humans or destroy the power of fellow countrymen, men and women I will help.

American modernist literature is a major trend in American literature between World War I and the Second World War. The era of modernism emphasizes the solution of contemporary themes such as the form of poetry and prose, language innovation, racial relations, gender, human condition. During this period many American modernists moved abroad in Europe and often became faithful supporters of the European movement as in the case of T. S. Eliot, Ezra Pound and Gertrude Stein. These writers are often called lost generations

Modernism literature is made under the assumption that literature is essential for civilization. A great experiment - a lot of time was invested by Joyce or Proust; as a modernist literature by Wolf or Faulkner, the relative influence that literature can have on consciousness is reasonable. Writing may be asked, or may sound. Aesthetics is a political choice. Modernism entered into the emptiness of the value of war - assuming that it could create new value. The current literature (I can not help feelings) is not left to the task. This is not just a cognitive competition of smartphones - it is a deep indifference and indifference. This American novel is a ruthless and fun middle class.

Literary modernism or modernism literature began in the late nineteenth century to the beginning of the 20th century and appeared primarily in Europe and North America. Modernism features a conscious breakthrough by the style of traditional poetry and poetry. Modernists experiment with literary form and expression while faithfully keeping the motto of "Ezra Pound" "new". The driving force of modernism literary movement is to deliberately overturn traditional representative models and express new emotions of their times. When the Modernism literary movement began, it was controversial, but some people chose 1910 as a generic sign and quoted the novelist Virginia Woolf. However, Modernism began to get excited in 1899, his work like Joseph Conrad's (1857-1924) dark heart and Alfred Jarry (1873-1907), Ubudroy's absurd drama It appeared at the beginning of 1896 It was.