Globalization, or the logic of cultural hybridization: the case of the Korean wave

In this paper, we explore region-specific phenomena and logic of popular culture flow beyond region to explain the complexity included in cultural hybrid paper and the influence they have on the discussion of cultural globalization. This paper argues that the wave of Korea is a sign of new global and regional changes in cultural and economic areas. This is because Asian countries accept cultural production and consumption from neighboring countries with historically and culturally similar backgrounds, not from other politically and economically powerful countries. It is a country. The article further states that the country where the wave of Korea is considered to be "intermediate" (or quasi-peripheral) is a sign of finding a niche in global cultural transformation and positioning itself as a cultural intermediary I point out.

One of the results of globalization is the wave of Korea - other countries, the popularity of Korean culture, mostly popular in Southeast Asia. The first country that this tide hit was China. The term "Korean" is widely known as "Korean wave" in China, it was introduced by reporters in Beijing in mid 1999 and explained the rapid popularization of Korean pop culture and products in China (Jeongmee 2007, pp. 47-48). It all began with the great success of the television program "What is Love", after which more programs and songs have been very successful among the masses of China (Kaori 2009, 341 - 43).

In this paper, we explore region-specific phenomena and logic of popular culture flow beyond region to explain the complexity included in cultural hybrid paper and the influence they have on the discussion of cultural globalization. This paper argues that the wave of Korea is a sign of new global and regional changes in cultural and economic areas. This is because Asian countries accept cultural production and consumption from neighboring countries with historically and culturally similar backgrounds, not from other politically and economically powerful countries. It is a country. The article further states that the country where the wave of Korea is considered to be "intermediate" (or quasi-peripheral) is a sign of finding a niche in global cultural transformation and positioning itself as a cultural intermediary I point out.

South Korean pop music is a part of Hallyu and is a worldwide phenomenon that started in Korea in the early 21st century and has influenced contemporary culture, music, movies and television industry. Korea's culture and tradition still have a long way to go, but America has a great influence, seems to abandon the old tradition every 1,000 years through new century music and lifestyle. K Pop has a very recognizable sound including a wide range of music and visual elements making it hard to notice