Ghost: The Relationship Between Past and The Future. A Book by Henrik Ibsen

"Women can not enter today's society - this is a completely male-like society - the laws of men and judicial institutions judge that women's behavior constitutes a masculine perspective" This is Henrik Ibsen That is what I once said. In 1881, when Ibsen wrote one of his best works, Ghost, society was undergoing a major change. The time has come for society to question all the things the Church believes. The spirit of people is challenged and the influence of the church on society is gradually losing its power.

This article describes the performance of gender difference in Ghosts of Henrik Ibsen. Ibsen wrote in the late Victorian era, and his work reflects inequality in that era. He was considered one of the earliest feminist playwriters, but Ibsen himself denied this (Finney, 1994). Ghost is an anti-idealistic drama that challenges social norms and values ​​and shocks the original audience (Moi, 2006). In order to investigate how Ibsen expresses the differences between men and women, this article examines how roles are involved in various places before analyzing interactions between roles.

American playwright and screenwriter Arthur Miller adapted a translation of Lars Nordenson's "enemies of people", Norwegian playwright Henrik Ibsen accused his "ghost". There are more "disgust", "hint of disgust", "malodor", "master of a minor", Norwegian, "there are more nicknames of dissatisfaction.Ipsen is more concerned about syphilis and that more in a ghost The immoral origin of him He notes the tension between the self-stated majority and the people who power the state, and the wisdom and perception of individuals who think he is a genius.

In Henrik Ibsen's ghost and Molièle's wife's school, playwrights depict the concept of male domination by the relationship between characters. Ipsen depicts the advantage of men in Norwegian society in the late 1800s, primarily through Mr. Manders and Mrs. Alvin 's role. Meanwhile, Moliere uses the role of Arnorf and Agnes to describe the men's superiority in the French Renaissance society. The playwright paints their society through a family of miniatures with stereotypes. Male dominance in both plays is portrayed by careful use of words, behavior, and social beliefs. This similarity reflects the two European societies of the 17th century, the Norwegian and French Renaissance. The author uses characterization to reveal perceived differences. Mr. Mandders uses ghost rhetorical speeches to show that the rule of Norwegian society is elusive