Gender in The Crime Drama Fiction Genre

According to John Fiske, "Television as a culture is an important part of social mechanics." In fact, any type of television is based on apparent similarities, differences, expectations, and assumptions shared by the audience. Also, because it is understood in various contexts and markets, intercultural translation is also possible. According to Graeme Burton (2000), this kind of research makes it possible for people to understand the revelation of audience pleasure and cultural myths. Also understand television finance and marketing, and finally understand intertext and post modernist television forms.

Turnbull (2013) provided a collection of criminal dramas as a kind of historical research in her book "The Crime Drama: TV Genres". . This book will help my discussion as I am watching criminal dramas controlled by women from all over the world like The Wire and The Killing including important heroines. Criminal dramas are often characterized by public relations and male-led themes, but with the addition of women's role in criminal types, authors adopt dynamic methods for gender blending violations, domestic problems, and other feminist problems can do. Still, women are not necessarily depicted to be strongly self-supporting in television.

Criminal novels are literary genres, imaginary crimes, investigations, criminals and their motives. It is usually distinguished from other types such as mainstream novels, historical novels and science fiction, but the boundaries are ambiguous. Criminal novels have multiple subtypes, such as detective novels (such as theodunit), trial dramas, stubborn novels, and legal thrillers. Most criminal dramas are focused on criminal investigations, not trials. In this type of ubiquitous, suspense and mystery are the key elements