Gender, genius, and Guerrilla Girls

Chapter 5 of "Art Theory: Very Short introduction of Cynthia · Freeland" discusses the role of gender, genius, guerrilla girls, gender and sexuality playing art. She opened the scene by discussing guerrilla girls. The 1985 feminist group protested against sexism and covered his face with a gorilla mask. The team created an advertisement to convey the message. "These ads are posted in a magazine, a road sign, or stuck on the walls of museums and theaters" (Freeland 85). Support and progressive movement Although she continues to explain how other women's arts like ceramics are perceived, she is still discriminated on the basis of sex. O'Keefe Although she is a famous artist, while her paintings are being criticized, some women raped victims exhibit women who were intentionally authorized for their trauma experience . Freeland also talks about the abandonment of writers after marriage, and the role of gender and gender influences women and their arts. "It is important to understand that artists have ideas and emotions that appear in works." In order to deepen the understanding of the work "(Freeland 98) Generally, Freeland sex and gender influence opinion I believe it should not be. "To explain art, we must transcend sexuality and sexual orientation beyond art." Context of wider meaning "(Freeland 99) In general, Freeland explains how art is influenced by sex and sexuality The viewer emphasizes whether it will be affected, but the viewer can not judge the work only in the direction of the artist.

"Girls of gender, genius, guerrilla girls" talk about the relevance of gender and gender to art, suggesting that gender is related to art - something of artist or meaningful Is it? How about sexual orientation? In Mapplethorpe's work and Judy Chicago's dinner comment, it is wrong to ignore gender and sexual behavior, but good art is not bothered by themes. To explain artworks, we must transcend sexual orientation and sexual orientation beyond a wider context, giving meaning to any art. Attention to sexual activity may be appropriate, but in the end we need to think more deeply about how to interpret art.

During its existence guerrilla girls gained the most attention for their bold art of protest. The guerrilla girls' project (originally mainly posters) expressed their views, concerns, ideals about many social themes. Their art is always done based on facts, and we have gone through team-specific data collection methods like "Wiener Counting". To become more comprehensive, guerilla girls tend to combine facts with humorous images to make the posters more persuasive. Guerrilla girls gave their names on posters of wheat paste provocation campaign around New York City, but the group also enjoyed indoor exhibitions with the public committee.

Twenty years later, guerrilla girls used gorilla masks and guerrilla stunts to force them to pay attention to gender and ethnic differences in the art world. (Read the poster "Definition of Definition of Hypocrites of Guerrilla Girls" poster "The art collector buys the art of white men for liberalism, but never buys art from women and artists."

Several guerrilla girls in colored races are faced with many challenges. Guerrilla girls opposed symbolism, but due to symbolism, silence, rude, and whitening, some color artists abandoned the guerrilla girl membership. As a color woman, "Alma Thomas" explains the unpleasant wearing of the iconic gorilla mask of guerilla girls. Thomas recalls that few people are focused on understanding the challenges of color artists. "Their whiteness makes it .... I do not understand that blacks are totally different worlds in the art world, black male artists and black female artists are completely isolated and completely isolated Artists who have color after several meetings because they can feel the hierarchy of silent people in the group. "