Gauguin Where Do We Come From What Are We Where Are We Going

Gauguin Where are we coming from? Paul Gauguin (1848-1903) - Where are you from? What are we? Where are we going? -1897 - Oil on canvas, 5 feet by 12 feet - Boston Museum of Fine Arts, Boston Where are you from? What are we? Where are we going? It is a highly respected masterpiece of Paul Gauguin's career. It represents the climax of his ideas and beliefs as a painter's life. Many of the visual features of paintings, such as color, lines, light, are inherently unrealistic, but they help to highlight the tropical environment Gao prefers for painting.

Thursday, April 27: We will focus on post-impressionism art, especially Paul Gauguin's art. Where the Impressionist is known as "a painter of the contemporary world", Gauguin withdraws from the contemporary world and looks for something that he believes is more realistic and necessary. After staying in Brittany, Gauguin left for Europe for the South Pacific. Understanding the core of Gauguin's art is understanding of the "primitive" concept developed in European culture at the end of the 19th century. The charm of 'primitive' will be an important trend in the development of contemporary art. Looking back on the page I made, I recently made a critical evaluation of the "primitive" concept. The picture considering Gauguin is posted on the Web page of the female statue of the 19th century. Pay attention to the central role of gender, especially the role of women's body in his art

One of the most famous painters for centuries is Paul Gauguin. When talking about obsession with primitive and exotic art, we mean mainly artists are about to move in this direction. Like most post-impressionists, he is an impressionist and began to focus on traditional natural rendering with the help of new colors and light effects. As time passed when he was already a famous painter, he noticed that Impressionists themselves had their own limits and chose a different direction. He not only did this in a figurative sense but also moved to Tahiti to study new opportunities for artistic progress. Let's take a closer look at some of his stories in the Tahitian era, let's discover the novelty they will have on how it relates to the Impressionist tradition and, on the other hand, to the original art form.