Fyodor Dostoevsky's Crime and Punishment

Like most authors, Fyodor Dostoevsky has a unique way to convey his message in his novel. In the case of crime and punishment, Dostoevsky cultivated the main role of Raskolnikov using the irregular plot rhythm. And that person experienced quite a lot of trips. It sounds like most books. People are traveling and are undergoing transformation. It is not the climax at the end of the novel that attracts many readers, but the murder that occurred in the early stages of the novel.

According to Raskornikov's theory of "crime and punishment" by Fyodor Dostoevsky, there are two kinds of people coexisting in the world: "extraordinary" and "ordinary". Ordinary people can define (248) that "men must live obediently and they are normal and there is no right to violate the law because they are normal." On the other hand, "special" people are "those who have the right to commit any crime and violate the law just because they are extraordinary" (248). The theory of Dostoyevsky is reflected in the character of his novel.

Rodion Romanović Raskolnikov, the leading role of Fyodor Dostoevsky's "crime and punishment", believes that there are two types of people in the world. And extraordinary people. This philosophy is the foundation of Rascolnikov's life. All his decisions are based on this belief, for example, he decided to kill pawn shops, Alyona Ivanovna. Raskolnikov believes that his moment in the novel is beyond the law. He regarded himself as an unusual person at the beginning of the book, but in the end he thought he was just an ordinary person. Laskolnikov's idea is similar in some respects to Dostoevsky, but in other respects it is similar. However, as many philosophers have developed a similar theory, the theories of ordinary people and extraordinary people are not new theories.

"Crime and punishment" by Fyodor Dostoevsky follows the hero's Raskolnikov. His theory is to try to prove that "superman" is about the possibility of violating law and morality. He is an "extraordinary" person than ordinary people. In his test of his theory, the author not only uses the hero to indicate that this self-centered theory does not apply, but also uses another letter, Svidrigailov, as an example of the erroneous nature of philosophy. In "crime and punishment", Dostoevsky expressed Svidri Gallov as the embodied evil, because he represented Nietzsche's "Superman" and was proved by the death of Svidri Gallov. He believes that no one in the world can exist in humans.