Freud and Hedda Gabler: The Wolf Behind the Protagonist

From its creation to the present, civilization is inconsistent with the instinct of human instinct. Civilization is a mechanism to control human instincts, orders so that wider society can function, basic human beings are far from being controlled. In the "From Civilization and its dissatisfaction" Sigmund Freud can not truly control human instincts, but showed that it can not prevent "homosexual lupus" (Floyd, 1697). The change from nature to man is a human wolf. This instinctive form of "Gailopus" suggests that humans are more aggressive and do not interact with people and use people.

The 5 page analysis of Ibsen's drama "Hedda Gabler" represents a very neurotic woman's life. Hedda, bred by her father Gabler, has become accustomed to the world of nobility and a positive social life as a wife of a scholar. In addition, it is clear that there is nothing in her background that she is preparing to act as a wife of a scholar. She suffocated to the existence of the middle class and eventually committed suicide. Other materials are not quoted. A 5-page paper on how to restrain (physical, emotional, economic, social and psychological) as the core theme of Henrik Ibsen, the essence of this confinement "Doll House" and "Heda Gable" Roles may be released in the end whether they are limited by change or maturity, or even refusal of resistance or meaningful change. Five sources are listed in the bibliography

In his theater "Hayda Gamble", Henrik Ibsen depicts the microcosm of the Norwegian society of the 19th century. The hero Haida shows a mixture of male and female qualities for her unique education at General Gabriel and social customs imposed on her. But this society worships General Gabriel because of his military position but his daughter Haida will not be tolerated as she does not accept the accepted sexual stereotypes. Jeddah and Jogan Tessman's gender reverse marriage, her power aspiration, and the use of General Gabler Pistol can not be accepted in her society and the theme "Do not do such a thing". Mentioned in the play and detailed about the death of Hedda but this suggests that uncertain positions between the gender roles of men and women in Hedda and their related features are unbearable by her society There.