Free verse

Free verses and poetry are organized according to the rhythm of patterns of voice and images, not conventional weighing methods. It is "free" in a relative sense. It has no traditional poetry stability, abstract rhythm, its rhythm is based on pattern elements such as sounds, words, phrases, sentences, paragraphs, not the traditional rhythm units of each line. Therefore, free poetry eliminates most of the anthropogenic and aesthetic distances of poetry expression and replaces the tone of a more flexible formal organization and more casual language suitable for modern idioms.

This term is widely used in Walt Whitman's poems and even in irregular meter initial experiments, but literally in the Statue of Liberty (qv), which was originally the name of the movement born in France in the 1880s It is translation. . In the beginning of the 20th century, free poetry became a reality in British poetry. The first British poet influenced by free poetry, especially T. E. Hulme, F.S. Flint, Richard Aldington, Ezra Pound, and T. Elliott are students of French poetry. The Imagists campaign began in 1912 with aldington, pound, flint, and Hildado Little ("HD"). Instead of focusing on classics, it is based on one of the principles of "sequence of metronomes, not constructing a phrase in order". From almost the beginning, the movements of free poetry were divided into two groups. One was led by Amy Lowell and the other by the pound. Elliot 's early free poem experiments influenced the loosening of the formal metrological structure in British poetry. Carl Sandberg, William Carlos Williams, Marian Moore and Wallace Stevens write various free verses; Williams and Moore's poems are most similar to French freelance poets.

The poets explained that free verse is not entirely free. Free poetry shows some elements of shape. Most liberal poeties keep naturally the practice of line of poetry in a sense in a sense at least with writing expression, while maintaining a potential contact level. TS Eliot wrote that Donald Hall said that "the form of free poetry is as binding and liberal as the form of Rondo," TS wrote wrote: "For those who want to do a good job, It is not free. "

Unfortunately, many mentally believe that many of today's ambitious poets (actually few paid experts) are beginning to use poetry opposition to free poetry, but in fact, free poetry It does not mean that there really is no poetry. Free poetry should not be repeated, but it is not where you expect them, but should have at least some aesthetically fun melodies and rhythm patterns, even rhymes. Personally, shackle is boring, there is no poetry or art but I do not like free poetry.

Free poetry has patterns and fields. The mode of inner sound, the selection of exact words, and the effect of association give the beauty of free poetry. Free poetry of images becomes discipline, and the status increases as a form of legal poetry. However, Herbert Reed pointed out that "the image of Ezra Pound has raised its musical structure to some extent and is not free to a certain extent." Yvor Winters is not bound by a traditional boundary and expresses it as "an attempt to expand experience by establishing" abnormal "practices." Poets have more expressive licenses and can better control the development of poetry. This will enable more natural and personalized poetry products.