Frankenstein and the Project for Progress

Progress is a natural adventure for humans. Instinctive forecasting and management requirements led by science and technology bring the possibility of bringing unexpected long-term results. But there is no ultimate goal of progress; because the limit continues to be broken, the boundary of human interference with nature is expanding indefinitely. Unconsciously there is unconscious power that provides services to progressive projects, and the project itself is questioned.

Mary Sherry's novel Frankenstein is a warning against the dangers of academic abuse as well as appealing to the results of desperate pursuit of scientific progress. Victor Frankenstein, after getting absorbed in discovering the secrets of life, tried to play God by abandoning his moral principles and trying to create life in a place without life It is a person. Prospective remuneration for this effort has given Victor gave Victor all of the cautiousness when considering the outcome of his action that made it possible to complete the experiment.

Victor Frankenstein and his monsters are considered to be confused with each other. As the novel progressed, Frankenstein and his monster competed for the role of the hero. As the story goes on, the monster he creates is characterized by his character, the character and quality of his creator, Victor Frankenstein. Though they are not physically or socially similar, their personality traits, their way of thinking, their human nature and intent of ambition resemble them. Levin (1973) shows that monsters and Frankenstein are both sides of the same coin. He described, "Frankenstein created monsters and became increasingly similar and interdependent when they pursued their own independent lives." And the monster plant clues keep Frankenstein's creation as Frankenstein, and the monster can be seen as a representation of Frankenstein's own face (Levin 1973)