"The goddess of wealth" and its circle are the two most persistent symbols in human history. Please see the popular game show, Wheel of Fortune. It may seem silly, but even today we are proving that something of this concept remains in our mind. Lucky questions are very important for Joe's Troilus and Criseyde. José gave the reader the idea that "Lucky Goddess" and his life impacts are completely contradictory. By examining the philosophical comfort of Poitius, readers can hope to find answers to these different wealth views.
In poetry derived from Joe, Troy's role is also a dynamic difference between Joe and Shakespeare's versions. Chaucer made the role of the toroirus a rustic youth who is confused about love. This led him to ask for guidance from Pandarus as to how he loves his Cressida (Hazlit). Therefore, Pandarus helped Troilus write to Cressida and offered much help in difficult situations. Troy Ross is also a very cumbersome person, angry at the phrase "sholden love oon hatte horaste" (3.797) (Tatlock). Therefore, it was said that Cressida is not faithful. In Joe's poem, Troy Ross is quite different from Shakespeare 's Troy Ross, and it completely changes the role of the character as a whole.
Pandarus also plays a very different role in the two literary works. In Joe's poem, Pandarus is a little friendly, always running between Troilus and Cressida, keeping their situation in their hands (Hazlitt). For example, when Cressida betrayed Troilus by falling in love with Diomedes, Pandarus still comforted Troilus to offer him another lover. In Shakespearean plays, Pandarus occupies a position as a professional, he is a consistent knight (Jill) who strictly carries out his duties. At the beginning of the script, Troilus will not tell Panda Ross his love of secrecy to Cresida. The lack of Pandarus' interest led Troilus to acknowledge Pandarus that he likes Cressida. The personality of Pandarus reflects his status as his knight because he is more serious about whether he is willing to take part in Troilus. Pandarus is one of many roles in Chaucer and Shakespeare's work.