Formalism Expressing the Meanings of the Three Colors Trilogy

Kislowski 's' three color trilogy' can be seen as three unrelated plots, but when they are combined, their story represents three ideal values ​​of the French Revolution. Freedom, equality and fraternity. These three movies seem to be built on top of each other and can only be understood as collections. More specifically, each movie embodies the desire. Blue, white and red form the important meaning of the story of these movies, and Kislowski uses it to express each character's struggle.

The trilogy trilogy is two French films and one Polish film from influential Polish director and co-author Krzysztof Kielowski (In French, trilogy is called Sanhe film ). Think, and co-author Krzysztof Piesiewicz. These three movies are powerful symbols. Each of the three movies represents the color of the French flag. It is blue (free), white (equal), red (brother). Each movie named blue, white, red accordingly deals with the problem it represents in the French flag

The "trichromatic" trilogy is one of the greatest trilogies in the movie, as radical as the flag it is based on.

The three colors of Krzysztof Kieslowski: Blue (1993) is the first of the trilogy trilogy. The style of the blue story can be described slowly, includes many "dead times", and its time style is very similar to the style of Antonioni. Kislowski proved how actual these "death era" actually existed than Antonioni. Overwhelming pressure was created "(Cardullo, 118). Such a story makes it possible to prolong like this. That's because Julie is trying to reconstruct itself emotionally. Kislowski uses this time / narrative strategy. Because it is a study of personality feeling and inner feeling

The influence of Michelangelo Antonioni on emotional expression in the movie

As part of the trichromatic trilogy, red is the third in the collection (others are blue and white, the color of the French flag). This movie represents the degree of separation from one character to another, a complex connection network that continues to evolve terribly. Of course almost every part of the movie has a red theme. * I want to solve the date jump problem from the 60's to the 90's. I do not like movies of the hit era (70 's and 80' s made some of the most 'classical' movies in Hollywood and changed the film industry). These cinematic artistic techniques and stories. Do not get me wrong, Jaws (1975), Rocky (1976), Indiana Jones: The Lost Ark Raiders (1981), Die Hard (1988) are special movies, but somewhat formalized and predictable.