Formal Analysis of Woman and Bicycle by Willem de Kooning

Formal analysis: Women and bicycle women and bicycles at Willem de Kooning were abstract expressionist paintings created by Willem de Kooning as part of a women's painting collection from 1952 to 1953. It's about 6 feet. It's 4 feet in size and oil on canvas. The image can be understood as figurative, but it is difficult to decipher the image because of its casual creative style. This picture seems to have been changed many times as if it is a photograph saved based on previous intention or intention.

In "My Woman" of Willem de Kooning, visible strokes and thick lacquering are typical of the "action painting" style of abstract expressionism and are also related to Jackson Pollock and Franz Klein. Looking at the lady, I easily added dozens of paint to create a rugged combination surface that can physically work, with doconning, strong cut gestures at work, and his brush and palette knife You can imagine doing it over again. The central image of De Kooning is clearly identifiable, reflecting the tradition of women's nude through art history. De Kooning was born in the Netherlands and his European academic tradition has not been trained as much as his American colleague. Though he produced many non-objective works throughout his career, his early career may be the reason for his returning frequently to this role.

The portrait of Arshile Gorky, who may be Willem de Kooning, is an example of the evolution of abstract expressionism in the context of portrait, cubism, surrealism. Together with his friends de Kooning and John D. Graham, Gorky created a metaphor in the biological morphology and abstraction evolved into a completely abstract painting in the 1940 's. It seems that Gorky's work carefully analyzes memories, emotions, and shapes using lines and colors to express feelings and nature. British literature Oxford Encyclopedia points out that modernism ends in c. In 1939, British and American literature, "When the modernism disappears, the discussion at the beginning of postmodern is as intense as when a transition from Victorian to modernism occurs.