Formal Analysis of Galatea 2.2

The form analysis of Galatea 2 became important in the nineteenth century when the middle class became more educated and entertained. With the arrival of the 20th century and its state-of-the-art technology, the shape of the novel expanded to include science fiction. It is a genre that combines human awe and new fantasy attributes of new technology. Science fiction writers discovered that we need to use the traditional style of novels in contemporary works. This is one of the key points of "Galatea 2" by Richard Powers.

Richard Bowers' novel, Galatea 2.2 and Plowing the Dark, are characterized by the fusion of human creativity and technical expertise, and on the other hand digitization, empowerment other than human. In Galatea 2.2, novelist and computer scientist / cognitive neuroscientist teach and prepare a neural network, and plan to do Turing test in the form of a master's degree in the UK art. In the favorite darkness, groups of researchers and artists created computer - assisted virtual reality (VR). In either case, the human protagonist ultimately gives up control of the program and ultimately needs to exceed human expectations and abilities. On the other hand, the neural network of Galatea 2.2 deepens the philosophical understanding of its own ontology state. VR is possible in the collapse of human limits that allow human Creator to understand space and time remotely.

In Galatea 2.2, Richard Bowers spun novelist and cognitive neuroscientist's threads and they fell into a high stakes bet. Can they train neural networks to pass postgraduate qualification exams? Writing quite outside the science fiction type convention, power has joined the voice of Hainline, Clark, Dick, Asioph and others. . . In the literature of the neural network, the power is clearly superior, implementing the implementation, building the AI ​​from scratch by increasing the processing capacity, memory, and information layer. Please execute H at an important moment. Q: "Is I a boy or a girl?" The novelist's answer is "You are a small girl, Helen" set up a series of difficult moral issues about identity and value other than human beings. Foundation intelligence

In this article we compare different types of digital consciousness ethics in Galatea's 2.2 novel by Richard Powers and neurromanage novel by William Gibson. Powers 'AI is built on the language model, but Gibson' s AI physically has an existing structure. Powers' Helen is limited by the manufacturer's technology, but Gibson's Wintermute is hampered by the design. The competitive model and (virtual) ideology of these languages ​​are offset by an incomparable human being McCoy Pauley. I propose to compare the ethics of analyzing non-physical AI in detail, restricting the growth of others, and converting human minds into computer structures. In order to analyze the problem of concrete consciousness, this article uses N. Katherine Hales' How to become Post Human and Toby "and Cosmid's" adapt to the mind ". When thinking that digital consciousness comes closer to humans, we have to think about how close a human is to digital consciousness.