For the Love of God, Poe!

It is not surprising that many of Edgar Allan Poe's works explore the theme of death, the power of the dead, the power of the dead, retaliation, human conscience, and especially the power of death and murder. From the troublesome morbid short story "The Telltale Heart" to the mysterious supernatural poem "The Raven", the story of Poe was a turmoil experienced in his life and his (possibly) psychologically tortured heart It is a direct byproduct of. All the work of this writer is very rich, but the theme is beautiful, especially singular irony, but I stand outstanding - "Amontillado's wooden barrels".

Perhaps the controversial form of verb's irony is the implied meaning of the last sentence for "God's love" for the victims. Thanks to Fortunado (Poe 92), I came back to Montresor "Yes ... ... for the love of God." (Po 92.) Kathryn Montgomery Harris said that this is part of the motive of Monster Cass Rock that inherently committed sins for God's love. (Nesbitt 320) However, as Bruce Kirkham focused on family insults, Montressor did terrible retaliation and claimed that his words were Montressors' words.

The end of the story is shocking and shocking: Montresor's traps and insects live in Fortunato beyond the brick walls. The victim cried to the executor: "To love God" (Pau, 214), but the only reaction was the irony of his own words. This story contains a very intense and intense image. The way of burial at the site is far beyond the critics. Hidden hatred and cold anger reveal a very strong emotion to the story. People respected, respected and loved, you and me are very happy as I used to (Platinzky, par 3). But this is a very vague explanation. This is because the author did not give concrete details.