For next time: Judy Chicago, “The Dinner Party,†judychicago.com

But is it important that they work together under the head of free tolerance and acceptance, or to claim their differences?

Joshua tried to "civilize" by avoiding contact with the dark continent, but Betty is a dark continent of libido.

James Harding's "Cloud Cover: (Again) Correct the Craving Necessity and Comfort of the Cloud Nine of Caryl Churchill", PMLA, 1998, No. 2: 258-271

What kind of new casting, new work, or new writing will be needed today in the production of Cloud 9?

Recently Judy Chicago responded directly to Esther Allen as a writer and translator in a commentary on the Extreme Woman of Liberia, Museum of Latin American Art (1960-1985). New criticism. Allen is an article of "Revenge, Revenge", "It is difficult not to notice that none of the 39 great women who sit in Chicago's elaborate table came from Spain, Portugal, and other countries "Said. In former colonies of the Americas "

It is not necessarily that a work of art can manage the entire museum's exhibition. But this fall alone, Judy Chicago's feminist art commemorative work "Gala Dinner" is the theme of the two programs: the Brooklyn Museum and the National Women's Museum. (Also at the Toronto Art Fair held in October, meals of modern art, restoration of contemporary art, groups of female artists, and seven courses of men's courses by female chefs were held.) The Brooklyn Museum of Art is a "Year of the Year" I am looking forward to it. In celebrating the 10th anniversary of the establishment of Sackler Feminist Art Center, it is necessary to study the origin of "Gala Dinner" which is its core work. The roots of the exhibition "Gala Dinner": The history of production indiscriminately explored every aspect of the production of the work, and at the National Women's Art Museum, "The internal" Gala Dinner "studio special feature Panel file is a step- Respectively.

Judy Chicago's "Gala Dinner" (1974 - 1979) has been the focal point of aggressive discourse for nearly four decades ago and was called "vulgar" by conservative critics like Hilton Kramer, Race politics is challenged Recently, Chicago challenged the assessment of Esther Allen's recent work that accused him of ignoring Latin American characters such as La Marlcie and Frida Kahlo. At the core, I found a permanent home at the Elizabeth Sackler Feminist Art Center (first exhibited in 1980) at the Brooklyn Museum of Art in 2002. In the Grand Matrix, most of the 39 places sitting on the 3 sides of the dining table are for remembering its appearance, dedicated to mysterious and long-standing women in history table has 999 people There are additional women's names around the triangular legacy floor.