Fluent Now in the Language of Grief”: The Role of Tragedy in Short Danger Fiction

Tragedy plays an important role in the story. This is especially true in stories of many short-lived narratives. Stephen King 's "boogie man" followed a man who tried to cope with his child' s tragic and mysterious death. Bharati Mukherjee's "sad management" is pursuing a woman trying to control the loss of his son and trying to help other people do the same. Amy Hempel chased the lady in "Buried Al-Gilson's Cemetery", spent time with his deceased friend and tried to deal with it.

In fact we are afraid of sorrow itself and sad reactions and emotions cause "bad stress" when we say to ourselves that sorrow is not a healthy reaction to a dangerous situation, but a dangerous story . My client's grief is pushed aside, often showing depression, anxiety, illness, and shame. Finally, my feelings for Mr. Sandberg is that she uses a brilliant strategy to get rid of the dark. It is compassionate. In this empathy, I wanted to give her some consolation in my dark journey after 25 years of traumatic loss. This is a consolation that I can not harvest, she received a row of her Silicon Valley:

About sorrow, two writers on immeasurable sorrow shared their story with us last night. Both have completed a novelist. One person told her stories in memoirs and the other talked about magical realism in the novel. Both of them talked about their nearest truth - and I did not know that the two audiences knew each other - and the two of us who met with a merry christmas letter and died I do not know whether I will contact the female story again. We exchanged information, but you know what is going on; there is always something to do. So hide in the trunk until you move it, roll it on the palm and think about what could be possible

VS: Creative writing requires deep involvement in the language. This relates not only to the fluency of the language but also to the strong emotional relationship with the language. Through this word, novelists touch the unknown dimension of life and try to master. It must flow comfortably when writing - the word must generate the next word. "Paroksha" is a Sanskrit word, which can be roughly translated into indirect recognition. This represents an important and powerful aspect of Indian language and literature. In a nuts, something in literature is not easy: when you say something, you mean something else. This can only be achieved if you have a strong connection between society and its language (as usual language). Music, dancing, folk songs / stories and slangs all derive from street language and are closely related to people's daily lives. That's why I have to write in Kannada.