Flesh by Paul Morrissey

In the first scene of Paul Morrissey 's 1968 film "The Flesh", the audience travels in New York City in a short time. The main point is to see the hero's life from a passive observer. Cameras do not tamper with images and try to impose new meanings on them. You can see that the actual sequence of events is expanded. Everywhere in the movie, one theme concentrates on the mediocrity of the presence of the hero, and his unstable state is reflected in the technical and organic aspects of editing.

After his filming on June 3, 1968, the rebellious Warhol gave up his personal involvement in filmmaking. His assistant and assistant director Paul Morrissey took over the collective film production work of the factory. All of these films, including later Andy Warhol's Dracula and Andy Warhol's Frankenstein, are more mainstream than anything Warhol Hall tried as a director. These later "Warhol" movies starred Joe Dahl Sandro - more like a Morrissey star, not a more real Warhol star.

In the mid-1960s, Warhol took the Velvet Underground band as an important element of the inexorable multimedia performance art exhibition that exploded it. Warhol and Paul Morrissey served as the manager of the band and introduced them to Nico. While administering The Velvet Underground, Andy will be playing in front of the movies in black dress. In 1966, he "made" their first album, The Velvet Underground & Nico, and offered an album cover. He actually participated in the production of the album and paid it only for the studio time. After the band's first album, Warhol and Band Leader Luleid began to disagree more about the direction the band should take and the end of their artistic friendship. In 1989, after the death of Warhol, Reed and John Kyle reunited for the first time since 1972, created, played, recorded, and released the concept album "Song". This is a homage to Wooler.