Finding the Ultimate Reality

The glass zoo was written by Tennessee Williams; he was born in Columbus, Michigan, where he spent his childhood in St. Louis. I graduated from the University of Iowa and majored in theater. His first successful drama is glass money. This was a screenplay based on Tom Wingfield's memory, around 1937 in St. Louis, Missouri. This is about the struggle to survive after Tom's family and his father left them without help. Tom is dissatisfied with the work of the factory, he tried to support his sister Laura and his mother Amanda.

In his article "Art and Ultimate Reality", the famous theologian Paul Tillich explains the relationship between the two concepts of the title. For him, the ultimate reality is the foundation of all beings and this constant "continued in a momentary and limited flow" (220). Although it is almost impossible to find this ultimate reality, Tillich said, "The ultimate reality becomes apparent in art works." He called this "formation" the "sacrament" (223). Among them, very universal things, something that is not considered sacred; it gives sanctity and ultimate reality. However, these things lose their ability to express themselves, so they should not simply be used as symbols (224). Annie Dillard's story about burning moths in her work The Holy the Firm is a powerful example of the relationship between art and the ultimate reality. one·

The definition of Candrakīrti presents some points here. First, by defining the final reality as "the essence (yes) of what was discovered by a certain sublime cognitive process of the person who perceives reality", he says that the noble cognitive process can not find the final reality It means. Process must be discovered through certain sublime recognition - analysis. Second, by stating "It does not exist for the original objective reality" (svarūpatā / bdag gi ngo bo nyid), he states that the ultimate reality is not essentially true, the traditional reality is essential It means that it is not true to. Third, he said the ultimate reality is the first essence of the two properties discovered through reality recognition. This means that the ultimate reality is the ultimate essence of all traditional reality. Because they all have the final character of the final position, just as they have the traditional nature of representing a traditional position.

Candrakīrti defines the ultimate reality as the essence of what is seen in reality perception (6.23 Dbu ma'a 205a). In the comment, Candlekīrti extended this definition. "The ultimate thing is discovered essentially by a certain noble recognition process (wish) of the person who perceives the reality, but it does not exist according to the original objective reality (svarūpatā / bdag gi ngo bo nyid) (6.23 Dbu ma'a 253a) Of these two properties, the purpose of reality recognition is the existence of things, Candrakīrti explains, this is the meaning of the ultimate reality (6.23 Dbu ma'a 253 ab)