Films reedom Writers and To Sir with Love Show the Meaning of Education

Due to skin color and ethnic background, each group does not accept each other. They all have different kinds of functions. If you look at people in other areas, it will cause fighting and tension. She was white and she was living a perfect life, so no one sent emotion to Eileen at first. In the middle of the movie, the students began to like Eileen. Students understand what they are doing is not new in the world, but what happened before.

Purpose - This article is aimed at exploring how the film "Mr. with Love" explains some of the long-term problems and tensions associated with educational sociology. It also aims to show that this film (and other popular movies) can be used to deepen the understanding of students' educational leadership, organization theory and sociology of education. Design / Method / Method - To celebrate the 40th anniversary, To Sir with Love is often regarded as a classic portrayal of teachers and rebellious students in a working classroom in London. However, this movie also highlights long-term problems and tensions peculiar to school education. From the perspective of sociology and social psychology, this paper examines the potential meaning of film and suggests ways to use it to promote understanding leadership, organization theory and students' understanding of educational sociology.

The background and summary by producer and director James Clavell was adapted from E. R. Braithwaite's novel which depicts his experience as an African-American teacher working at a school in London. In the initial viewing, people like to treat their plot as relatively old and unrealistic, like the story of Mark Sackley 's efforts and ultimate success, who won the defeated East London school You may fall into a trap. Respect and love of the upper class of the rebellious working class. This description is appropriate, but it obscures the fact that the movie is actually a series of stories and meanings that appear and interact in the course of the movie.

The first of the three movies of this year began with "British drama James Clavier" starring Christian Roberts and Judy Gisson "With Love" (1967). This film has had great success both critically and economically. Poitier will benefit from the success of the movie, as it agrees to exchange as little as $ 30,000 against 10% of box office revenue and arranges one of the most impressive achievements in film history. Indeed, Colombia insisted on offering Poitier an annual fee of $ 25,000 per year to reach this period, but since they calculated that they would promise to pay these fees for 80 years, the studio agreed with Poitier I was forced to fix it.