Film History

In the early days of the story movies, filmmakers were neither popular nor highly cultural products, but nevertheless were nothing new, so filmmakers put little pressure on the evolution of pre-nickel movie formats ( Salt, 1990, pp 31). The focus of the "production company" is based on the sale of longer novels in the later years (Musser, 1990, pp 256), so the focus has evolved how early development of the story evolved from stunt movies to complex stories To indicate whether.

These articles can be divided into three main categories - film history, single film exploration and film theory - each reflects the main category of popular film criticism of today. The first category is the history of the movie. It focuses on exploring cultural trends in Hollywood movies by studying the history of movies and events. For example, Jon Lewis says that the promotion on MPAA's struggle in recent Eyes Wide Shut and South Park does not mean that Hollywood's rating system "protects public interests", but helps the studio to earn more It suggests that it suggests. Money (and integrate their secondary market). Another important article is Charlie Keel's "American Movie and Transcendence", it explores the spread of Hollywood filmmaking in Canada and Australia and the erosion of "national" movies; he wipes "global single culture" Go to a national film that suggests

Beginning in the mid 1920s, Hollywood's seemingly versatile movie studios dominated the American movie industry and created a film history now known as "classic Hollywood". Classic Hollywood movies are known for practical, work-oriented, "invisible" movie production styles aimed at focusing on the camera as much as possible, and classic Hollywood cinemas are discreet I support a story. Regardless of formal training, the field of criminologists is used to describe individuals employed in the field of criminal justice. (Schmalleger) These people study crimes, criminals and criminal acts. Criminal: Perform various activities such as data collection, data analysis, theory and so on

Researchers say that there is no movie history, only movie history. But I think movie history will be more appropriately considered a group of cinematic history, as research involving film history involves asking a series of questions and looking for evidence to answer them during the discussion I will. Therefore, the main purpose of my research is to find the answer to the question "How is a film photo displayed?" What to do? What is the way it was developed? Situation of the film industry - production, distribution, exhibition - how will it affect people? How does time affect the change of the film industry?