Film Analysis: Edward Scissorhands Genre

We saw there was a knife in hand, and the peg started asking for "it" so as not to approach. Before she turned and turned away, she listened to the soft and soft voice of "monster" and asked not to go to her. The camera is focused on Edward's face; it shows how pleasant and sad he is. The Gothic horror function used here is the appearance of "Monster". Edward is a big and dark person, and things (his scissors) can do harm. It is used in Frankenstein (1931) and North Ferrat (1922), and since it leaves marks on the audience, this is a stereotype of Gothic monsters.

Burton uses many production and story elements, these are typical types of horror; "Scissor Edward" is a dark classic Frankenstein variant, both of which are called "monsters" Undoubted Peace and peace in a society without it. Opening performance of scissors-shaped black and white graphics, trolls typical strange music of horror genre; visually, audiences have a dark appearance, closed doors, webs of spiders at all times. Although there are many images related to fear, "Scissor Edward" is also in line with a romantic genre, and in fact the quiet theme that snow falls is clearly opposite to the darkness of typical fear habits .

"Scissor Edward" applies to a romantic style, but it will certainly overturn generic horror practices and reassess their expectations to viewers. Ironically, the romantic aspect of Edward's story describes immoral and decadent suburbs, so "monsters" are inherently more human-like and natural than "normal" characters. In this way, Burton meets the type that you are using and bypasses them at the same time. The story process requires film start, development and closure. The opening sequence or "setup" provides a platform for the story startup. Characters and settings are usually created. The opening ceremony began to present the possibilities of several stories to the audience. In the middle of the story, characters, stories, and themes will be expanded. This involves changing role relationships or introducing new roles.

Tim Burton, director of Edward Scissorhands, showed her grandmother and her granddaughter, and she hopes to hear stories tell the audience that the story of the movie was set in the past. Through the early introduction of Edward, when he was brought into society, the audience opened up the possibility of a series of stories. In the development of the story, Kim's introduction established a romantic possibility between her and Edward and a confrontation between Edward and Jim. At the end of the story, the up-and-coming romance returned to his cast completed by Burton and completed the exile. And I revealed that my grandmother in the opening sequence was Kim