Filipino Cinema’s Hope for Change

Sometimes you really have to ask yourself; it is worth the price change. The modern Filipino cinema has been asking this question over the past few years. All realistic social dramas such as "Manila Sky", "Arrival", "Ship Thief" all depict individuals in various stagnation states and are keen to escape. We left our hometown, told us to pursue our wealth, and the grass is environmentally friendly. Local innocence is often overcome by urban competition. These movies are far from their fellow 's image of Brillante Mendoza, but the overall effect of how the reality hits the character is amazing.

Filipino movie theater (Filipino: Pelikulang Pilipino or Sine Pilipino) introduced the first animation at Salónde Pertierra in Manila on January 1, 1897. In the second year, Spanish Antonio Ramos first shot the local scene using the Lumiere Cinematograph. On September 12, 1919, the country 's early filmmakers and producers were aggressive foreigners and overseas representatives, but a quiet feature film destroyed Filipino filmmakers' venues. Dalagang Bukid is a movie based on a popular musical originally produced and screened by Filipino film director José Nepomuceno. His work, known as the "father of the Filipino movie", shows the beginning of Filipino movies as an art form.

Jose Nepomuceno is known as the father of Filipino movies and is considered one of the pioneers of Filipino movies. His first movie, "Dalagang Bukid" (1919), was the filming of the first movie produced by stage actors and Filipino filmmakers. He and his brother Jesus set up a film company Malaya Film and later produced more than a hundred movies. Among these works are La Venganza de Don Silvestre (1920), La Mariposa Negra (1920) and El Capullo Marchito (1921).

Filipino movie theaters have unique values ​​and qualities. The Filipino movie father, Don Joseph calls Filipino movies premium content and is commercially attractive to those watching movies. Many of the movies created by Don Jose Nepomuceno were approved by the box office and won the critic's heart. Nepomuceno has a way of thinking in every movie he produces. In other words, the content of the movie should have a combination of art and vulgar commeralism (Quirino, 1983). Nepomuceno does not know he will be the master of Filipino movies. Nepomuceno studied art at his college degree and after completing the course he continued studying electrical engineering. In the influence of his family, he was also a business oriented person of a very young age They had their own commercial booth.