Feminist Film Theorist Laura Mulvey and Classicism

Feminist film theorist Laura Malvey refuses to use classicalism. Through modernism she produced her movie 'The Mystery of Sphinx'. Mulvey believes that classicism is built for the well-being of men. This appeal can be explained with the term optimistic looking scopophylia. Although society has its limits, according to Mulvey, movies can explore these desires. She also expressed a desire for narcissism and fell in love with herself. You can gain visual pleasure of narcissism from self-recognition and someone's ideal self.

In the movie there is a theory called male gaze. Feminist movie theorist Laura Malvey made this in her article "Visual Happiness and Story Movies" in 1975. In the movie, the line of sight belongs to the camera and the people behind it. The observer inherits the gaze, but this is usually the active gaze of a passive woman. The line of sight is not just for movies. It is evident in other forms of art, including photography. Most of the images we see on the mass media, especially those depicting women, are taken by men. Men always took pictures and people who chose masters of art. Women are always there and doing a strong job, but I do not have the same opportunity to say myself on the spot.

One of the main theories of movie gender stereotypes is "men's gaze". "The gaze of men is a term created by feminist movie theorist Laura Mulvey, Mulvey's theory is that men's eyes are influenced by Sigmund Freud." (Cook, 2008) Psychologist, We developed a theory that humans have unconsciousness of sexual violence and positive impulses and their defense being hegemonic at permanent confrontation (BBC, 2014). According to Mulvey, "Men's gaze is both voyeurism and fetishism, her concept suggests that women only appear in classic Hollywood movies (Cook, 2008) (classic Hollywood Is a Hollywood movie style from the 1910s to the 1960s.) A psychoanalytic concept of obscenity to explain how visual pleasure is created