Feminism and Political Issues: Barbara Kruger and Hannah Höch

Feminism and Political Problems: Feminists and political issues of Barbara Kruger and Hannah Heck were always concentrated in the art world, and artists prefer to extend these ideas beyond really important things . Female artists such as Hannah Höch prospered during the German Dada movement in the 1920s and Barbara Krueger had the greatest success in America between the 1980s and the 1990s. I presented. Please think what they really mean.

Hannah Höch was born in Anna Therese Johanne Höch in Gotha, Germany. She goes to school, but her family takes precedence over Höch's family. In 1904, Höch was taken away from Gotha's HöhereTöchterschule and took care of her youngest child, Marianne. In 1912, she began her class at Applied Art School in Berlin under the guidance of glass designer Harold Bergen. She chose glass design and graphic art course, not art, to please her father. In 1914, at the beginning of the First World War, she left school and returned to Gotha to work with the Red Cross. In 1915 she returned to Berlin and entered the graphic course of Emil Orkur at the National Museum of Arts and Crafts. Also in 1915, Höch began to establish close ties with Raoul Hausmann, a member of the Berlin Dada movement. The relationship between Höch and Berlin Dadaists started in 1917.

Hannah Höch was born in Anna Therese Johanne Höch and became a middle class family in the southeastern part of Germany. Her father, Friedrich is the head of the insurance company and her mother Rosa is an amateur painter. She later insisted that her father believed that "girls should forget to marry and learn art". She is the largest of the five children. Her education began with local school girls, but her parents had to stay home to take care of her youngest sister, so she ended at the age of fifteen.

Hannah Höch, néeAnnaTheseJohanneHöch, (born 1 November 1889, Gotha in Thuringia, May 31, 1978, West Germany, West Germany (now part of Berlin, Germany), German artists, the only ones Berlin's Dada group , Known as a provocative montage exploring the perception of gender and ethnic differences in the Weimar era and in 1912 began training at Applied Art School in Charlottenburg in Berlin where he worked with Harold Bengen Her work, learning glass design until the outbreak of World War I, was interrupted and returned to Berlin in 1915 and re-registered at the art school with Emile Orrick until 1920. In 1915 She negotiated with Austrian artist Raul Hausmann and in 1918 Dada Circle in Berlin, an artist We introduced her to the group. These include George Grosz, Vee land Herzfeld, a brother John Heartfield of the Vee land.