Fellini's 8 1/2

"The original title of Fellini 81/2 is" beautiful chaos "and Fellini called his film a comedy. Anyone who has seen 81/2 can only laugh at the eclectic and sarcastic humor of Fellini's work. I do not like manga "(Horaku). Some critics (such as Hollack) believe that Federico Fellini's 81 1/2 (1963) caused some tragedy, but people think this film is a representative of the classic "bathroom" model You might think that. Every piece of work, including dramatic elements, is registered as a comedy.

Fellini used 8 1/2 and Juliet to explore himself and his own philosophical existence. 8 1/2 was self-referencing from the beginning, the title itself was implying a number of films Fellini had for 63 years film photography - this part was Lucidelvarietà film which he co-directed with Alberto Latu Ada . 8 1/2 is not only a reference to his creators, but also an extreme "movie making movie, movie is 8 1/2" (Sesonske). This story tells famous Italian filmmakers who are also coping with his private life problems like Guido, the dissolution of his marriage while suffering serious director frustration. In order to capture the confusion within Guido, Fellini combines surrealism, high concept, and a fuzzy dream sequence.

The second movie I thought was a clear statement on how to express that existentialism, which is 8 1/2 of Feicico Fellini, and this problem was commented by Jerry Solomon. Given the versatile analysis he provided in his own article, I will only turn your attention to the bulk of Mr. Solomon's 8 content by talking about Fellini's efforts in the movie 1 article in particular 2. Fellini's Italy is a vibrant and rich artificial landscape. It is in contrast to Bergman 's natural scenery and other Swedish landscapes. Fellini's work has done a series of activities, but as Mr. Solomon pointed out, it is worth pursuing essential activities to supervise a movie, as Mr. Solomon pointed out. Instead, Fellini's role is busy distracting with unnecessary vanity. He is an image master

It is obvious after seeing Fellini's movie "La Dolce Vita", 8-1 / 2, Martyr's Juliet, La Strada, City of Women. In all of these movies, the image is very important and he may be best known. However, the repeated prototype character is obvious. These prototypes are sexual subjects, wives, and typical men. The Sex object was first discovered on 8-1 / 2. The boy and his friend met a prostitute. Through this encounter, we saw a combination of emotions including joy, cruel, surprise, fear, and guilt. The sex act of a whore and the reaction of a boy to that show the intersection of her suggestive behavior and their shocks with the ultimate happiness. When she invited him to bring the boy close, his emotions were complicated, but he was eventually pressured against his friends. This is a perfect example of sexual arousal. A similar experience is drawn in "Women's city". This time is a thoughtful mother statue