Features of Narrative and Genre in First Ten Minutes of Minority Report

The first ten minutes 'nationwide report' of minority report stories and genre features has a definite futuristic SF genre. From the beginning of the movie, the audience has type regulations that indicate the type of movie they are watching. Initially, the title sequence contrasts with dark blue and light blue, and the title sequence moves like water. Blue is often used in futuristic movies. Because it is all futuristic and looks digital.

Reviewing the report of the minority now, it is really very good. In addition to the last 10 minutes mistake, this is a winding black thriller with a fast tempo. In the world of architecture and technology we pay close attention to details, but the idea that seems to be the most foreseeable is the Precrime introduced in the original Philip K. Dick's short story "The Minority Report" The concept of. Looking now, it feels like a horror movie for me. Fear - as we initially suspected - comes from artificial intelligence. Fear comes from man. I do not mention the cruelty of a physical fair. I am talking about the cruelty of Monica, he activated David's unconditional love only to reject it (now, seeing, two scenes - activation and rejection - as well as terrible) . And then regardless of its influence, there is cruelty of Android who creates deep, endless love.

A genre that creates meaning to the audience. As with all movies, the first 10 minutes are the key to determining the viewer 's expectations, the key to providing viewers with the information they need to understand the rest of the movie. Due to the stereotype of the genre movie, in this case it may be a gun battle, fraud and money plan. In addition, because gang movies have repeated subjects such as violence, theft, drugs, money, etc., certain themes may also occur.

Through investigation of various kinds and kinds of theories, Neil continues to show how the boundary of the mold flows and the existence of uncertainty. He also showed how this "genre hybrid" featured the movie from the beginning, using the unified category time as a studio system, genre, studio, media, and critic. It is not so singular that it is often presented. Before and after the studio era, I believe the presentation as a monolithic genre was portrayed as 'better' across the borders, not a means to understand the influence of today's films on their culture.