Fats Navarro

On September 24, 1923, Theodore 'Fatts' Navarro was born as a parent and child of Cuban black and Chinese mixed. His music training began piano lessons as soon as he was six, but he did not start taking music seriously until he picked up a trumpet at the age of thirteen. He improved very well during his high school days. He also played tenor sax and played easily with Miami's Walter Johnson band. Obviously, Fats does not care about Key West.

Together with Charlie Parker, he is a major figure in the development of bop and is building the foundation of modern jazz. He has trained and influenced many other musicians such as trumpet player Miles Davis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Jon Faddis and Chuck Mangione.

Dizzy Gillespie 's contribution to jazz is very big. One of the greatest jazz trumpeter players ever (some say it is the best) is a complex journalist whose photographer Miles Davis and Fatz Navarro were photographed by his contemporaries until John Faddis in the 1970s It is a player. Dizzy's style was successfully reproduced. Somehow, Gillespie could adapt to any "wrong" sound, and in the 1940s all members, including Charlie Parker, were in front of him. Unlike Bird, Dizzy is an enthusiastic teacher who wrote his musical innovation and is passionate about explaining to the next generation to make sure that Bebop eventually becomes the foundation of jazz.

Smith, Memphis - born cousin, moved to Michigan where he had the opportunity to play with Miles Davis, Dizzy Gillespie and Tad Jones, then began another career after working in the military. In 1958, influenced by Fats Navarro and Clifford Brown, Smith 's powerful voice and ability to swing and play folk song signed convincingly the contract with Blue Note. He gave up jazz radar soon, but he reappeared in 20 years. Memphis 'musicians died at the age of 23 and dominated sensational player' s world, but he plans to be one of the best jazz trumpet players in the world. It is difficult to connect the hard drive to his music DNA, but Little works in partnership with John Coltrane and the free jazz finger Eric Elphy (who collaborated with the latter in the early 1960s) to explore jazz by Little artists I will prove the extreme of it. Interest