Fantomina’s Sensual Identity

By changing ourselves to create a new sensual experience for Beauplaisir, Fantomina uses a figurative and sexy capital to confuse Beauplaisir 's text and sexual capital. Heywood said, "In fact, we must admit that we must be recognized [Fantomina], beyond almost all women, maintained an economy that managed this conspiracy, but she did it on its own." (233). Fighting the two escapes, the emotional identity of Fantomina and the accompanying conspiracy is capital management. Since she manages this identity by manipulating the man's eyes of Maleplaisir, the story places two characters to trade the same precious item.

After all, the various identities of Fantomina did nothing; they helped clarify the relationship between Beauplasir and Fantomina. Unfortunately, Fantomina's creative camouflage only satisfied her sexuality, but did not establish a long-term relationship with Beauplasir, which led to her own betrayal. Fantomina's pregnancy has become her true story, she lost everything, including her reputation

In Haywood's novel, camouflage is more than just "Floric". Fantomina must act freely in a male-dominated society. The hero became four different women through a disguised medium: Fantomina, The Servant Girl, The Widow and Incognita. Only by playing the lower class role, Fantomina can lose women without losing their good reputation. As she was able to change the appearance of the classroom through aesthetics, she proposed a magical ability that completely exceeds social fields. In the 18th century, the social position determined the identity. Therefore, Fantomina judges her as a woman. However, Mr. Haywood suggests that classes and social status are based on the external impression, not blood.