Fantasy Dependence in David Henry Hwang’s M. Butterfly

As its title shows, David Henry Wong's Butterfly M. Butterfly M. Fantasy dependence is the transformation of the Puccini Opera "Madame Butterfly". In Puccini's opera, Lieutenant Pinkerton of the US Navy officer purchased the marriage rights of a 15 year old Japanese geisha girl, Cio-Cio-San, for 100 yen, and signed their respective contracts. The convenience provision is gathered and the monthly notice is canceled. At the same time, Pinkerton left Cio-Cio-San to travel to the USA to marry an American girl Kate.

The waste of butterflies of David Henry is said that the brain is a stage of conflict. But what happens when the perception hits the head with a conflict? In theater M. Butterfly of David Henry Wong, he uses the title as his main metaphor, but distorts the audience's reaction by distorting the audience by solving too many themes around them. The tenor is a butterfly, the ride is M. The problem is that tenor and vehicles mean political order and police use power to restrain socially disadvantageous behavior (Elliott & Pollock, 2013). The application of force is generally considered morally neutral, and in various situations it may constitute the abuse of power.

M. Butterfly is a script by David Henry Hwang. This story is intertwined with the story of the opera "Madame Butterfly" The most straightforward basis is the relationship between French diplomat Bernard Berticott and Beijing opera actor Si Peyu. This program was premiered in Broadway in 1988 and was awarded the Tony Award in 1988. It was held at Eugene O'Neill theater on Broadway on March 20, 1988, and it was closed after 777 performances on January 27, 1990. The show was produced by Stuart Ostrow and directed by John Dexter; it starred BD won as John Lithgow and Song Liling as Gallimard. In the initial game, David Dukes, Anthony Hopkins, Tony Randall, John Rubinstein played Gallimard at different times.