Family Relationships in Like Water for Chocolate, A Doll’s House and Antigone

Like the water for chocolate and doll's house, many of the central character of the story is tied through family relations. Creon is Haemon's father, and Mama Elena is Tita's mother. These links between letters contribute to the development of many of the core themes of the story and convey the topics of general controversy, the view of feminism and power struggle. The two books of various in the focus of family relationship interrelations in many occasions are the cause of the situation and the tension of the story.

As a doll's house, for chocolate in the water, as Henrik Ibsen and Laura Esquival, respectively, everyone leaves their way of life and culture to make their female characters away from home, not just. Dolls House 's Nora left home to find her true inner self. And like the water, Chocolate Gelt Randy (Gertrudis) then left her home in an effort to escape depression of her mother Elena. Bothe Ibsen and Esquival introduce readers / spectators using various literary devices and styles

Eleanor Roosevelt once said: "A woman is like a tea bag only if she can realize how strong it is in her hot water .." This is an antigone and a doll's house It is obvious. Antigone is a Sophocles Greek drama about a young girl and she decides to take her rebellious brother buried in the honor of the task of the gods even though her cruel uncle Cleon banned the burial. Ibsen's puppet was in accordance with a housewife's Nora Heller who borrowed money without knowledge of her husband.

Doll's House and Antigone is a story of a young woman conflicting with social domination of traditional men. Anouilh 's Antigone and Ibsen' s doll house has a young heroine that fights male rivals and has family relations with them. Antigone collided with her uncle Creon in Antigone's novel, and Nora Helmer opposed her husband Torvald at Doll's house. With both dramas, men's opponents embody social and national values. Thebes ruler Kryon insisted on his commitment to his people. In a related sense, Tobird is an excellent bourgeois citizen, thoroughly socialized, and undoubtedly supports the ideology of the middle class society. He says, "From now on, happiness is not important, it is important to preserve the bit and pieces, the appearance" (Act III, 188), he is constantly monitoring Nora's behavior against social expectations.