FAITH AND REASON DURING THE SEVENTEENTH AND EIGHTEENTH CENTURY

The beliefs and reasons between the 17th and 18th centuries brought up many ideas to change people's beliefs and reasons during the 17th and 18th centuries. These new ideas challenge the concept of the universe of mankind and the place inside the universe. They challenge people's perspective, and they also challenge economic beliefs. During this period, Francis Bacon, Rene Descartes, John Rock, Nicolas Copernicus, Isaac Newton, Adam Smith all had many scientists and philosophers.

These wonderful description clauses have real elements. The Middle Ages emphasized faith, and the 17th and 18th centuries highlighted rational and reasonable discourse. However, a notable single feature can not explain the historical era. Many things develop and evolve at the same time in every period of history. Faith is a powerful medieval power, but the reason is also so. In this research my purpose is to explain and explain the role of reason in trying to understand the world of reason in the Middle Ages.

From the late 17th century to the early 18th century, social and political change took place. Inspiration transitions from logic of enlightenment and neoclassical era to emotions and emotions of a romantic era. During enlightenment, authors such as Moliére and Swift expressed their ideas with reason. They solved a wide range of social and political problems at their own work. - The patriarchal patriarchal system, that is, the family's father's superiority and the male's pedigree's bloodline and genetic calculation, plays an important role in family life. But patriarchalism is not limited to European culture. In this article we will study the patriarchal case in pervert and compare it to the example in Japan.

Between the 17th and 18th centuries, the 19th century decisively replaced the ancient noblemanism. In the first stage, literary works can begin to deal with this transformation and make an attractive comparison of works from different cultures undergoing their own processes. As an example, let's look at French playwright Molièle's Le Bourgeois Janti Rumum (1670) and the great Japanese playwright Chikamatsu Monzamon (1721) with love suicide. These playwrights were modern people; when Moliere died, Chikamatsu was already 20 years old. The traditions of theater in France and Japan are completely independent and are different in every respect, but in these plays the playwrights are thinking about the new social order that began to form around them.