Exposing the Role of Women in The Madwoman in the Attic

Sandra Gilbert and Susan Cuba, who clarify the role of women in the attic in their work "The goddess of the attic", describe the literary possibilities of women in the male and male world. Specifically, Gilbert and Cuba are interested in women of the 19th century and her role is based on her relationship to angels, monsters and sometimes symbolism. Since the character of an angel is ideal and passive, and the character of a monster is naturally evil, neither can restrict female behavior to quiet content and can hardly object to words.

"Mad female theory" highlighted by Sandra Gilbert and Susan Cuba's "Attic goddess" (1979) also formed an important idea of ​​feminism. It indicates that their frustration leads them to act in an imbalanced and opposite way psychologically, as society does not provide women the opportunity to express their creativity. Therefore, feminism has expressed discontent with social attitudes towards women's identity and rights in literature and other aspects. But slowly, I became able to make women economically, socially and psychologically independent. In the field of literature, it eventually developed into a social norm that imposes the influence of female writers from male writers and different criteria for men and women.

A mad cow disease woman of the same name, known for Sandra Gilbert and Susan Cuba's "The Madwoman in the Attic" (1979), is Charlotte Bronte's Jean Air Berta Jenkins and Rochester's crazy The wife is hidden behind the attic of Thornfield Hall. The paper by Gilbert and Cuba shows that society prohibits women from expressing themselves through creative channels so that their creativity is introduced into psychological self-destructive behaviors and destructive behaviors . A good example of this crazy lady paper is Charlotte Perkins Gilman's 1892 short story "Yellow Wallpaper".