Exposing Nihilism in Crime and Punishment by Fyodor Dostoevsky

Fyodor Dostoevsky is a model of realism literature, delicately exposing nihilism in the novel "Sin and Punishment" published in 1866. That hero, Rodion Raskolnikov, is blaming and painful, accusing his moral and social relations. He embodies the qualities of nihilism and abandonment of all emotional and moral issues. This philosophical doctrine, in particular the "nihilism movement", one of the great reforms of the Russian empire, and the expansion of apostasy and atheism of postmodernism are everywhere in history, these two examples emphasize virtue appropriately Have personal and social abandonment.

According to Raskornikov's theory of "crime and punishment" by Fyodor Dostoevsky, there are two kinds of people coexisting in the world: "extraordinary" and "ordinary". Ordinary people can define (248) that "men must live obediently and they are normal and there is no right to violate the law because they are normal." On the other hand, "special" people are "those who have the right to commit any crime and violate the law just because they are extraordinary" (248). The theory of Dostoyevsky is reflected in the character of his novel.

Being human is full of contradictions. In Fyodor Dostoevsky's novel "Sin and Punishment", the relationship between the killing of a young man and his friends and family is being investigated. Characters created by Dostoevsky are full of beautiful contradictions and they become more humanistic. The main character Raskolnikov is focused on Dostoevsky to explore the character's duality. "Raskol" in Russian means "split" or "split". This name has an internal view of Raskolnikov. He struggled between a conscience that urged him to do good and a cruel and reasonable aspect that urged him to do evil. His conscience urged him to be generous and kind to those who were not luckier than him. Once, Raskolnikov saw a young girl get drunk on the street. There was a senile old man behind her. Raskolnikov finds a nearby police officer and takes him to the scene