After reading Herman Hesse's "The Wasteland Wolf", people may notice Harry Haller, the hero of the novel, with a continuous civil war between the two natures. "Continuous and deadly hostility" (41-42), one of which was claimed to be separated from others by "one human being and one wolf man" (41). People can gain a lot of insight by reading SteppenWolf, but I believe that Haller seeks to match bourgeois in every aspect of his life. However, he was late to understand how he actually despised bourgeois's self satisfaction and obedience.
Movie historian Thomas Elsassel pointed out that there are two generations of satire in his article "Use or Meditation of Cinefilia". Our parents and grandparents experienced drama and accessibility magic. And our generation, everything is at your fingertips. The authors of "Cinemaia Culture and Out-of-Out Fear" is a good idea by pointing out that the ability of our generation to access information at any time makes this concept and ability a more complex movie I think. First of all, in order to become a genuine movie, you have to be familiar with their movies and have to observe many different types of media content (ie books on videos, movies etc.) . In this era, there are so much time that there are very few hours, so it is difficult to do this.
At the end of the 19th century, live entertainment became popular in the United States. Two types of theaters were developed: comedy, music performance, stage magic and other eyeglasses at a low price "Variety" theater and people who think more complicated "serious literary work" "Legal" theater to offer. The "diversified" theater spans racial and economic boundaries and emphasizes topics such as actions and comedies. This type of theater is a model of the performance of Board Building, which existed in various forms from the early 20 th century to the mid 1940's. Radio stations and television stations pulled the audience away from the theater. This is due to the convenience of providing entertainment at home. Ironically, many vaudevilles performers succeeded in transitioning to these new media and fascinated their audience again. But this is far from the end of the theater