Evolution Within a People in A Doll's House and An Enemy of the People by Henrik Ibsen

Evolution of Dolls House and enemies of people, Henrik Ibsen can easily confirm the influence of all cultural changes. The change can be a revolution, a new way of thinking, or a new concept. Whatever these changes, they are often come from the minority. In some cases, this leads to an uprising, which ultimately leads to changes in the social system. A simple example of this change can be seen in the French or American revolution, and even the hippie movement in the 1960s.

In "House of Dolls" and "Human Enemy", Henrik Ibsen showed his vision of the benefits of social change and the evolution of human internal structure. (Downs 1950) A Doll's House, the title of the play, like a child's game featuring an artificial life of a doll manipulating dolls and mistresses, a metaphor in the play to see what happens in the Helmer family We encourage you to apply. . (Bloom 1999) The doll 's house brought revolutionary change to Norway in the 1880' s. During this period women were regarded as the second and even third category of citizens, although this is not the case in terms of numbers, but it is a minority. Ibsen called his role Nora as a toy and was manipulated heavily by men in his life. The disadvantage of Nora is very important to her personality. Nora is under pressure by various "tyranny social customs". Ibsen painted the role of a woman as a subordinate to his "Dolls House" to emphasize his role in society.

Henrik Ibsen is a house of toy of Doll's House, Henrik Ibsen reveals how society and authority are interfering with the development of personality. By studying how Nora's father treated her, the way Nora's husband told her, the social expectations of women, and the social status of women, Ibsen was tightened in an unhappy marriage I described the image of the woman in detail. Nora's father treated as if she were just a small doll. He deteriorated her and treated Nora like a baby. Nola said, referring to her father.

In Ibsen's drama "Doll House", Ibsen depicts a heroine, Norah Harmer, who dares to despise her husband as a wife and mother to pursue her personality, or to give up her "duty" To do. "Dolls House" challenged the patriarchal view that most Norwegian people thought it was true during the decade and thought that the woman's place was home. Like many women, Nora felt trapped by her father and prevented social rules from recognizing their voices by the time she gets the same feeling of her husband.