European Realism Final

Section I B Charles Dickens' difficult moment. Fact facts In the world of facts, love or absence is ignored. The Coketown grinding gear carries the product to the assembly line. The workers doing the work think that it is a defective item. Surprisingly, he removed it from the production line and continued to check the product. When the proposal was handed over to the Louisa through the conveyor belt, she faced decisions. Her childhood is lacking in fantasy. With overly logical Gladged, Louisa had no chance to discover her emotions.

Realism is a literary movement started in France in the 19th century. At the end of the century realism was a clear trend in European literature. Fundamentally, in literature realism is loyalty to life. In general, people tend to think about realism from the viewpoint of daily life. Therefore, it does not concern idealization, paranormalism, and transcendence. It strongly oppose works that are unrealistic and wonderful and impossible. In addition, since realistic artists focus on "now" and "now", everyday events and his own environment (including his time movements such as politics and society), realism is a classic Refuse the principle and romanticism.

Guatemalan writer William Spindler's article "Magic Realism: A Typology" shows that there are three types of magical realism, but this is not to say that this is never incompatible. It is unbelievable in Kafka's novel, "ontology" of magical realism characterized by "fact" in "little" event, magical realism of "anthropological", local world view, rational world of the West View Parallel spindler's typology of magical realism is "a magical realism of myths, a magic that survives for the reader, and a sort of aimed at deciding a society where there is a possibility that magical realism will emerge Behavior "has been criticized as. It is defined as a project with cultural characteristics.

The term "magical realism" was made by Franz Nou, a European art historian in the 1920s. Roh Moo Hyun believes that this form is a reaction to expressionism and a return to objective world autonomy celebration. In the 1950s, under the influence of the 1949 paper by Cuban writer Alejo Carpentier, Latin American writers accepted this style and combined it with French surrealism and folklore. Combined. In the literature of the United States and the United Kingdom, magical realism has been a popular genre since the 1960s, and it is an important field of postmodern.