Eugene O’Neill: Pessimistic American who Showed Dark Social Realities of the modern Life and Started Modern American Drama

Many of his roles reveal his thoughts and experiences and express his views and ideas. Tragedy includes pain and failure. O'Neal's tragic hero does not have a high social status like any other traditional hero. They are neither giants nor supermen, their deaths affect millions of people, but they are always ordinary people like us. Andrew and Robert who are beyond the horizon are farmers' sons. In Amy, Irene could not complete her education because of the family's burden.

Drama entertainment has been done in the United States since the colonial era, but when we talk about the drama which continues on the stage of the United States and the world, the history of the American drama began with Eugene O'Neill (1888 - 1953) in the 1920 's It was. Why does it take so much for a drama to become an art form in the United States? First of all, unlike lyrics and novels, dramas can not wait for years without printing or forgetting like Dickinson's poems and Melville novels. As Shakespeare and Moliere have done, if a writer wants to learn from the experience of the direct stage, the drama needs to be produced at the time of writing. In order to achieve this goal, the author must convince many parties concerned that his work is artistically valuable and economically profitable - he is a player, producer, critic and so on I must convince the audience

Before discussing Williams' drama concept, we have to understand some of the basic characteristics of the American theater played by Eugene O'Neill, Robert Sherwood, Ermélice and Sydney in the early 20th century. And I got it. As well as many other aspects of Howard America's cultural life, American dramas are strongly influenced by European models, especially British models, but American style and customs, characteristics and thoughts, problems and contradictions It reflects. It grows and appears. Some of the new features of the American drama include a new American style of comedy and tragedy. Although the European drama is still bound by the concept developed by Aristotle and later classical critics like Horace and Seneca, the American drama pay less attention to concepts and real life experiences in the American context not. there's only a little.