There are three fields of aesthetics, morality, religion. The moral field is merely a transitional field, and its best expression is a confession as a negative act. The scope of aesthetics is a range of immediacy, ethics is a range of requirements (this requirement is infinite, it is always bankrupt), religion is a range of realization, for example, that when a person satisfies a charity organization it is not satisfied Please be careful. A box or gold bag, a confession produced infinite space, and the result is a religious contradiction: it appears in 70,000 liters of water, but it is happy again.
Reasonable human condition 5, Kant, Agnosticism and anarchism: Theology - Political Expo - Part 1, radical agnosticism, Section 1.1, Introduction
This work is a sequel to Either / Or released by Kierkegaard two years ago. There, an aesthetic and ethical stage was raised, but Kierkegaard did not address religious areas except appendix. Here, he returned to the first two stages, then proceeded to a religious stage which occupies about two thirds of the book. In short, at the lifestyle stage, we treat each of the three stages of beauty, morality, religion, etc. continuously, "the place of existence" of life. He previously agreed with the word "stage" in his writings, but I do not think that they should be in the age of life, but as a paradigm of existence, not in turn. Indeed, the term sphere presence occurs more frequently than term term. In his own journal Kierkegaard noticed the difference between Stages On Life's Way and its predecessor.
Frater Taciturnus reminds the reader many times that his name is not religious, but it is not so. As the entire work still works based on pseudonyms, the reader needs to remember that in the entire work, Kiakegaard approached a religious stage in an aesthetic way. Many of Quidam's diary entries start with "Today's Today". Therefore, his work is a memory. Memories are clearly a feature of the aesthetic stage. This is a retroactive behavior. Commitment to loved ones is an example of positive morality. Kierkegaard is anxious about his positive passion for the ideal (God). This is a religious stage