Eric Fischl: A Journey Through His Life.

The beauty of art is certainly in the sight of a bystander. Art is the diversity of people who create it. Some of the most famous arts come from some of the most undesirable places and people, but their journey seems unbelievable. From the hippie movement in the 1960s to the outskirts of Long Island in New York and to Ashbury in New York, San Francisco brought Eric Fischl, one of the most influential and internationally respected artists . In this article I will present his educational education, his artistic education and education, his many accomplishments, and how he became one of the most famous figurative artists of the 20th and 21st centuries.

Eric Fischl's current solo exhibition Rift Raft is known for paintings depicting his human condition and he turned his attention to the art world away from past suburban scenes. Fischl has been fascinated by the art fair for a long time and has been shocked. I believe that they are manifestations of an existential conflict in the art world between art and business values. He put the camera on the market and captured the people and scenes he observed there. Now his observation has become a metamorphic meditation in the world, talking about what these works are about to enter.

Looking at some examples will help clarify the economic and psychological basis of this phenomenon. In 2013, Eric Fischl launched a series of paintings (still in progress) at the art fair. This represents the scene of the people looking at Blue Chip Expo. Fischl digitally combines various photos taken with Art Basel and Fritz and applies the results to the canvas to create a work. No one doubts the consistency of the crowd, inventory, and experience each time a high-end show circuit stops because no one doubts that various image elements come from various events .

Eric Fischl has produced paintings and sculptures for nearly 40 years. He is known for his work in the new expressionist, rejecting the art movement, minimalism and conceptual art that began in the late 1970s and reviving the traditional elements of abstract expressionism and German expressionism . In the early stages of his career, Mr. Fischl used his body to explore voyeurism and sexual desire. But his subject changed over time: from the early images of the American suburbs of the 1980s to the portraits of friends of the day. In addition, his recent work shifted from a strong light in his early works to his so-called "emotional" light.

"American artist Eric Fischl says:" Body language is like a window of the soul. In all of Fishle's works, human body and light are two common themes. Now this combination presents a new dimension. In the New York Times newspaper article, Nessia Pope, an independent curator, advocates a recent fishle portrait "he is more abstract as it relates to psychology than aesthetics." Mr. Fishle's work at the KM Gallery in Chicago, in collaboration with Hexton Modern and Contemporary, shows the trajectory of this contemporary art. Hand-painted collage with sculptures of resin, watercolor, bronze, cast glass.