Endgame By Samuel Beckett

The mood and attitude of Samuel Beckett's 1957 drama end game reflects the year of his idea. The history directly reflected in the script is worth mentioning. That year, the world was full of fear of the Cold War and there was a fight between reason and achievement (Garraty 307). Each country is paying attention to the possibility of the current wartime / war, or participating in the emerging budding campaign of those days. The "ridiculous drama" at the time reflected the values ​​and concerns of modern society (petty capital).

Irish playwright Samuel Beckett, Beckett, Brecht, and end game Irish playwright, Jean-Paul Sartore, Albert Camus, Jean Jeanette, Eugene Ionesso (Brockett 392-395) Many. But Beckett's second play Endgame is closer to German playwright Bertolt Brecht, father of epic play, and dramatic ideology of alienation effect. By using formal stage conventions, theatrical terminology, and Shakespeare text hints at Endgame, Beckett used Brecht's alienation concept to keep the audience away from gamer's attention, but the game itself I focused on.

The final result of Samuel Beckett, Clov asked, "What can I leave here?" Dialogue with "Ham replied." "In the script, Samuel Beckett dramatically showed the idea of ​​relying on interdependence between the two focuses of each person, unless others meet their physical and psychological needs Beckett accomplished this through ham, and Ham assumed his relationship with the king's identity and Kloof's theme In Endgame, the idea is that dialogue and tone between ham and crof And was built through humor.

Samuel Becket's final game In the sun and laughter shelter, Samuel Beckett's terminator family has a hard time finding their own world niche. In terms of physical and emotional aspects, ham can let others surround him. Clov, the healthiest family in the body, also has the power that can not be defined late at Hamm. Ham's elderly parents, Nag and Nell have memory. Sometimes it seems weaker than others, but hum, crew, Nag and Nell have a source of power that leads to weak coexistence of family dynamics.