Empathy and (Film) Fiction, by Alex Neill

The relationship between sympathy - sympathetic expression and novel is an important issue in the discussion about the emotional reaction of movie novels. Due to its complexity, many scholars think that drawing them is useful. In his article "Emotional and (film) novels", Alex Neal is trying to develop a novel theory to analyze the novel, especially the emotional reaction of the audience. The purpose of this article is to show the audience the important value of emotional reactions to movie novels.

Neill Blomkamp's 2013 SF movie Elysium appeared in Matt Damon and Jodie Foster held in Los Angeles in 2154. Rich people entered luxurious satellites orbiting circles - the title of the blissful world - and the poor majority are still dirty on the earth. This movie can be regarded as an ordinary thing as a fable of a South African director who has been in force for nearly 50 years, but this is a fairly cartoonistic view of the future of the United States. Some critics criticize this movie to promote socialist information. But the dyspea world of the blissful world is a perfectly close metaphor and is a real socialist country only 90 miles from Florida.

The relationship between sympathy - sympathetic expression and novel is an important issue in the discussion about the emotional reaction of movie novels. Due to its complexity, many scholars think that drawing them is useful. In his article "Emotional and (film) novels", Alex Neal is trying to develop a novel theory to analyze novels, especially audience emotional reactions. The purpose of this article is to show the audience the important value of emotional reactions to movie novels.

This view was modified in "Inside Imaging" where he gave more empathy to the reaction to our movie. After Alex Neal, Smith insisted that sympathy should play an important role in the audience contact with the novel, since empathy is often used for other people's daily understanding. Therefore, Mr. Smith claims that certain text features such as optical POV shots will serve as clues to encourage viewers to imagine imitating the mental state of the character. Unfortunately, Smith did not specify the use of other clues in this regard, but he felt sympathy for the protagonists of the movie in which "multiple alignment" of Larry Clark's "children" broke his previous position We encouraged them to do so. In other words, in order to create empathy, adjustment is not enough.