Emotion in Musical Performance

Introduction An excellent piano performance is an emotional connection between the performer and the audience. When a pianist expresses his or her performance with emotional strength, audiences will feel the same way. As a result, vibrant and energetic performance is realized. This emotional sharing has scientific basis. Scientific research over the past two decades has led to the discovery of mirror neurons. Mirror neurons allow us feel sympathy with others and feel the feelings of others as our own.

The obvious way to associate expressivity with expression is to argue that music and performance are expressions of feelings, not emotions of works and performances. It is not expression of composers or performers. There are two major problems in this "expression theory". First of all, neither the composer nor the performers will experience the emotions expressed by their music during production. It is also impossible for composers to create emotional episodes, or performers, that she never experienced. This does not deny that the composer can write works expressing her emotional state, but she has to comply with two things. First, expression theory is an interpretation of musical expression, at least the central case of expressive power needs to obey this pattern, but that is not the case. Secondly, if you want to express your sorrow, such as a composer writes a sad work, you must write the correct work.

Music clips and their performance standards are said to be happy, sad, and so on. Since emotional paradigm expression is a psychological subject with emotional expression, the emotional expression of music is a philosophical problem. Because neither music clip nor playing is a psychological factor, it is puzzled that these things express emotions. A directly useful distinction lies between expression and expression or expression. Expression is what people do, external appearance of their emotional state. Expressive power is art, it may be what others have. It may relate to expression to some extent, but it can not be expressed solely for a given reason.