Emily Dickinson and Adrienne Rich

Emily Dickinson and Adrian Richie's modernist era from the end of the 19th century to around 1960 was a very obvious stage in the development of American literature using new literary techniques deviating from the traditional literary style of those days. . Before this. Modernist writers explore new style themes and contents from race (Kate Chopin) to gender (H.D.), sexual desire (James Baldwin), and many others.

Many poets' works are composed of three poles of John Ashbury, Amiri Baraka, Matsuo Bashaw, Joshua Beckman, Elizabeth Bishop, Emily Dickinson, Alice Knotley, Adrian Ricci, Wallace Stevens, France , Eluard, Valery, Verlaine, etc. There are many others. This book provides treasures that remind people that poets who have not read for years have yet to come back to another angle and should receive advice from those who have not yet entered. "When you are young you say to me, I will be a poet, I will be confused," Zaprod wrote. "I did not even read or care about poetry, nor did I even imagine (or even wondered) if there was something like a living poet. Poetry was done at school That will be the center of my life. "

Emily Dickinson is the representative of the modern poet. Her poeties broke the traditional style and delimited ideas with dashes. Dickinson also challenged her time religious beliefs. As a Puritan in the state of Massachusetts, Emily Dickinson knew the Bible, but as an adult she questioned this belief. Many of her poems seem to focus on death, death of the body, death of the soul, and death of the soul. Why is she so interested in death? Poems embodying this theme are as follows.

Emily Dickinson (18th May 1880 to 18th May 1860), poet, Emily Elizabeth Dickinson, Amherst, Massachusetts, daughter of Edward Dickinson, lawyer Emilio Cross Her career in her town in the same town The "house" symbol summarizing as a death certificate accurately reflects the secret life that it spent in Dickinson's hometown. The house built by her grandfather, Samuel Fowler Dickinson, represents her family's ambition. The young family of Edward Dickinson first shared Homestead with their parents and then later (after economic collapse occurred due to Samuel Fowler Dickinson's excessive expansion of resources on behalf of Amherst College), then with another family Shared. Move to the house of North Pleasant Street in 1840, Emily spent a young lady there with her adolescence.