Eliza as a Strong, Assertive Woman in Pygmalion

Eliza is a strong, confident woman of Pygmalion, Bernard Shaw's comedy "Pygmalion" shows a poor floral girl journey in London society in the early 20th century. Professor Higgins gambled to a friend Colonel Pickering, that he could bring an ordinary peddler into a royal family. Eliza Doolittle is a footprint of the bet. But Higgins did not know that this change goes far beyond his expectations: Eliza completely turned from a defensively insecure girl to a confidently strong and independent woman.

The theater "Pygmalion" depicts Eliza's transformation process, and she appeared in three stories of images. Independent self woman - respect and dignity. By naming his play "Pygmalion", the show reminds people of myth of the ancient Pygmalion. The sculptor Pygmalion made a beautiful statue and fell in love with his creations. He prayed that life could be given to it. The gods gave him his wish.

Eliza is a strong, confident woman of Pygmalion, Bernard Shaw's comedy "Pygmalion" shows a poor floral girl journey in London society in the early 20th century. Professor Higgins gambled to a friend Colonel Pickering, that he could bring an ordinary peddler into a royal family. Eliza Doolittle is a footstep of betting. But Higgins did not know that this change goes far beyond his expectations: Eliza completely turned from a defensively insecure girl to a confidently strong and independent woman.

Pygmalion is a drama by George Bernard Shaw depicting Flower Girl Elisa Du through her "sculptor" professor Henry Higgins' craftsmanship. Litle became a professional woman's transformation. Founded in Covent Garden by Colonel Higgins and Colonel Kevinlin, he sold the flowers to Pickering at risk and at the same time Higgins realized the words of all destruction in Eliza's mouth. Soon, Eliza appeared at the entrance of Higgins and asked for his voice skill to become a girl in a flower shop. During the play, Mr. Doolittle insists on achieving literary proficiency, but a real trial is the ability to achieve the Messiah. The same criticism was aimed at the upper class, but Bernard Shaw used Eliza's English speech as an insult to British society, and their sole judgment depended on speech. Higgins and Pickering treated differently in Eliza 's growth process because of its different social class.