Eliot's Innovative Approach to Form and Theme in The Waste Land

T. Wasted land Elliot is considered an open text and can be regarded as a revolutionary contemporary literary work. Through the term "modernism", Graf (Barth [1984], 1992, 328, Collins) quoted it as a kind of "criticism of the 19th century bourgeois culture, denying its value and its most favored Style, realism. "The modern era was defined by Best and Kellner (1991, 2) as a historical step term referring to the era of 'medieval' or feudalism. Definitions may cover the era over hundreds of years, and this era is beyond the scope of this article.

As I pointed out earlier, Elliott's classic literary form in 'wasteland' is the official interpretation of the literary tradition of Europe represented by 'tradition and individual talent'. Elliot himself is at the boundary of classicism of "wasteland". In the context of "tradition and individual talent", the meaning of "true new" art work in the "ideal order" of "European literary classics" is to make classical past works by modifying its contents I'll change it. Therefore, the classical form of Elliot shown in "wasteland" quoted from Asian literature is actually trying to incorporate non-European work into this ideal order. But, as I already indicated, making invasion of non-European works into European literary classics is meaningless.

Like the anthropology text that inspired it, Eliot's poetry absorbs a wide range of resources. Elliott offers a lot of footnotes in the form of books for publications of 'wasteland'; these are excellent sources of information tracking the origin of references. Many references come from the Bible: In the creation of poetry, Elliott has just begun to be interested in Christianity, and this interest peaks in the quartet. However, the overall scope of implications in "wasteland" shows that there is a broken piece of mountain that must be connected in some way to form a coherent whole, although there is no general example It is. Elliot intentionally used a difficult style, but it seemed to find the most ambiguous reference, but he was not just about breaking his reader and showing his wisdom. Imitation record century