Elements of the New French Extremity in Irreversible

New France is probably one of the most controversial film era in French history. Since the 1990s, a different idea was born from the classic film technology. There is the idea of ​​doing things that might make the movie different. This is an idea that makes audiences feel uncomfortable and makes me sick of what I see. The new French extremists are completely different. These differences were well explained in the new French movie produced during that time, and in a new way the audience was sick.

When the French began exploring the depth of new degeneration in the early 21st century, a new French extremist group like a terrorist attack was an illegal movement. Even people who are full of brutal violence and sexual ugliness, even even the strongest horror movie fans, are endurance tests. I saw most programs during festivals and small art galleries operated between high school and university. Daily troubles of Claire Denis have laid the foundations for filmmakers like Marina de Van (In My Skin), Alexandre Aja (Haute Tension), Maury & Bustillo ('l'intérieur). But before they were completely trapped in a type trap, they had jazz, sensational feeling, which was in harmony with the grounded cartilage. "Trouble Every Day" has a floating naturalistic rhythm that represents a filmmaker who is fascinated by fear like a ship that hands her own fluid film fingerprints.

In most rape revenge movies, the actual behavior of rape is deliberately displayed on the screen with horrible details. Gasparno's 2002 film "irreversible" and Revenge borrowed many visual styles from the French new body movement and portrays the central event of long-term sexual violence in the 10-minute period to fully demonstrate horror doing. This does not happen with Revenge **, which uses rape to further destroy the gaze of a man. This only makes the audience more uncomfortable.

Analysis - How Coralie Fargeat 's "Revenge" Breaks Male Gaze By Destroying Rape - Revenge Horror

This movement is novelty for the French film industry, which is becoming more and more known all over the world thanks to Raw for the most part. This movement was due to a series of French transcendents developed by critic James Quandt at the turn of the 21st century. A movie can be classified as a sport if it contains the following events: physical fear, sexual degeneration (and / or sexual violence), psychosis, intense violence or human suffering. These qualifications are very extensive and sometimes difficult to determine, but the sports itself is located in the art gallery, the intersection of physical horror and movie exploitation is easier. Among the famous directors who participate in this campaign include, but are not limited to, Olivier · Asayas, Gaspar · Noe, Christoph Honore, Claire · Denis, Virginie · Despentes. If you are interested in further considering this type, Taste of Cinema offers lots of French extreme games.